Establish a direct relationship with matter, working from and with the body. In my large-format ceramics, form is not projected, but rather inhabited: it emerges from a physical dialogue with the clay, on a human scale, almost intimate.

The process is slow, full of presence and listening. I do not seek to impose a structure, but to accompany its construction from fragility, resistance and transformation.

Fire and time leave their mark, turning each piece into a living record of its own becoming.

Therefore, my pieces are not closed objects, but inhabited forms: spaces open to gesture, memory and experience.